A Review of Alan Lightman’s “Mr. g: A Novel About the Creation” (2012)

Ever since I read Italo Calvino's Invisible Cities (1972) and David Eagleman's Sum (2009), I've been interested in magical realism -- a playful, imaginative curiosity that, lately, has even snuck into my own writing. Shortly after reading their work, it did not take long for me to find Jorge Luis Borges and Alan Lightman (whose Einstein's Dreams I reviewed last year). Lightman's perspective on the genre I've particularly enjoyed given his background as an MIT physicist. So, I was excited when, once again prowling the stacks of Half Priced Books, I came across Mr. g: A Novel About the Creation (Vintage, 2012). ... Mr g is a first-person-except-when-it's-not narrative about God's creation of the universe (or rather a universe). Tolerating the squabbles and input of his Aunt Penelope and Uncle Deva, Mr g introduces space and time to "The Void" (the non-dimensional realm they inhabit), deciding thereafter to create a universe merely to keep himself occupied. Beginning with a few "organizing principles" (natural laws), he spends most of his time fawning over the harmony of the cosmos' as they effectively create themselves. In the book as in nature, it is rules that govern and build not a spirit's hands. Thus emerge stars and the fusion of basic elements to create more, which in clicks of the atomic clock form the richness of planets, solar systems, galaxies. The way Lightman lies out this natural progression -- leading to the emergence of life -- was where I found his prose most engaging. Unfortunately, when this life becomes intelligent, moral, that his writing slipped away. ...

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Turn Left at Nowhere: A Century of Morris Poetry

"This anthology is a love letter to my newest hometown, to the rural, and to the small," writes Julie Arhelger in the introduction to Turn Left at Nowhere: A Century of Morris Poetry (2014). Compiled as her capstone project for the University of Minnesota Morris' (UMM) honors program*, Turn Left is a lovely volume of pieces inspired … Continue reading Turn Left at Nowhere: A Century of Morris Poetry

“Darkness Visible: A Memoir of Madness” by William Styron

Suffering from depression and dwelling upon old memories of Paris, the author William Styron recalls a startling conclusion he had: "I would never see Paris again." Never again would he see the land Camus who, he notes, once wrote that the must fundamental question of philosophy is whether life is worth living. "This certitude astonished me and filled me with a new fright, for while thoughts of death had long been common during my siege, blowing through my mind like icy gusts of wind, they were the formless shapes of doom that I suppose are dreamed by people in the grip of any severe affliction" (28). Soon he would need to answer Camus' question.