Among the thousand or so Polaroids I've taken, here are a few of flowers.
Last year the Minnesota Historical Society awarded me a 2017 Legacy Research Fellowship. This supported a project I am doing on how early-20th century nurses organized what later became the Minnesota Nurses Association (MNA). For those unfamiliar with the MNA, not only is it a major political force, but it is responsible for both elevating the profession and improving the quality of care for hundreds of thousands of patients.
In 1993 Minnesota became the eighth state in the nation to outlaw gay and lesbian discrimination in housing, education, and employment. Unlike other states, Minnesota even went further to ensure these same protections extended to members of the trans* community. No easy feat, this was the culmination of two decades of legislative maneuvering and grassroots … Continue reading Senator Allan Spear and the Minnesota Human Rights Act
As my regular readers know, I write a lot about Sinclair Lewis. For example, there's the anecdote about him drinking with Gov. Floyd B. Olson, his advice on writing, and how those overseas understood his work. I also write about poetry, and recently I published here translations of Norwegian-American poet Julius B. Baumann. Well, here's where … Continue reading Translating Sinclair Lewis into English (Two Poems)
“Only the first ten years matter,” a Minnesota State Prison inmate told John Carter, and "[w]hether or not the first ten years are all that matter, there is no doubt that the first six months are by no means six little drops of time.” It was 1905 and as the 19-year-old Carter listened, he settled … Continue reading John Carter of Minnesota: The “Convict Poet” Who Won His Freedom
"[D]on't be such a damn fool as ever again to go to work for someone else. Start your own business," the 34-year-old Sinclair Lewis advised his friend Alfred Harcourt. "I'm going to write important books. You can publish them. Now let's go out to your house and start making plans" (p.xi). That business became the publishing house Harcourt, Brace, and Company, and the next year, in 1920, it published the book that made Lewis famous: Main Street. Thus began a decade-long partnership that lasted until Lewis became the first American to the win Nobel Prize in Literature. As the only volume of Lewis' letters, From Main Street to Stockholm was published in 1952, the year after he died, and collects together his correspondence with Harcourt's publishing house. Given their relationship the letters just as often pertain to business as they do Lewis' European travels and the politics of the literary world. While the reader may not close the book with a richer understanding of Lewis' psychology, they will have witnessed an iconoclast at work. Through these letters one follows Lewis through the "Big Five" and the public's response, from Main Street (1920) being declared the most monumental book of the century to Boston's District Attorney banning Elmer Gantry (1927) from the city.
... I'm posting here my submission, which I wrote some time in the fall of 2012 after reading Paul Gruchow's Grass Roots: The Universe of Home (Milkweed Editions, 1995). I was first introduced to his work growing up in Montevideo, MN, which is where he was from, and turned on to his environmental consciousness. If you are interested in Aldo Leopold and "The Land Ethic," you'll enjoy Gruchow's work. Sadly, Gruchow committed suicide in 2004 and so I never had a chance to meet him -- but writers are used to the feeling, I guess. We walk in prose, talk through poems.
Back in November, I wrote about two letters from Garrison Keillor and Bill Holm I found in the University of Minnesota's Robert Bly Papers. What I didn't note is that I also found one from writer Charles Bukowski. Pulling it out of the stack was a surprise -- though it shouldn't have been given Bly's stature in the literary world at the time -- and so I made a copy of it thinking Buk's may be interested. It's not as big of a literary event as the discovery of Neal Cassady's "Joan Anderson letter," but it does include an unpublished poem. ...
"This anthology is a love letter to my newest hometown, to the rural, and to the small," writes Julie Arhelger in the introduction to Turn Left at Nowhere: A Century of Morris Poetry (2014). Compiled as her capstone project for the University of Minnesota Morris' (UMM) honors program*, Turn Left is a lovely volume of pieces inspired … Continue reading Turn Left at Nowhere: A Century of Morris Poetry
My First Column: We're Living in a Russian Novel ... From where I write, Elmer Springs is a pale glow through winter fog, and as the long arms of night stretch across the road, I feel as though I could be anywhere. In fact, as my little wood stove crackles and growls against the cold, I feel like I'm living in a Russian novel. Having grown up here, I know all about Elmer Springs' generational conflict. I know its class tensions (though in a city whose per capita income is less than the state and national averages, antagonisms exist only between the have-nots and have-lesses). Instead of St. Petersburg and Moscow, we have Minneapolis and St. Paul, cities our little state representative decries for its excesses but insists having the right to visit every two years. Whether any of us are Utopians or Anarchists is as much dependent on the number of ducks in the pond as any coherent political philosophy. Perhaps there's a story here, but I have no ambition to be my generation's Tolstoy. ...