While waiting in a Baltimore hotel lobby, I thumbed through one of its meant-to-be-seen-and-not-read bookshelves. There among old, leather-bound editions of Gibbon's History of the Decline and Roosevelt's Naval War of 1812, I found the collected works of William Cullen Bryant. A romantic, Bryant is known primarily for his poetic naturalism (see, e.g., "Thanatopsis") but he was also a prodigious translator, deciding at the age of 77 to translate Homer's Iliad and Odyssey. But as this was my first introduction to the poet, I knew none of this. Skimming the volume, I was not very impressed, but then I came across a poem that I stopped to read three times in a row. Its title: "The Murdered Traveller."
I've blogged before about the writing advice Robert Bly once gave me, and since then, I've translated pieces by Norwegian poet Julius B. Baumann (1869-1923; here) and Danish writer Ernesto Dalgas (1871-1899). Like Baumann, even though Dalgas is well-recognized in the canon of his country's literature, none of his work exists in English. So, this is my attempt … Continue reading Two translations of Danish writer Ernesto Dalgas
As my regular readers know, I write a lot about Sinclair Lewis. For example, there's the anecdote about him drinking with Gov. Floyd B. Olson, his advice on writing, and how those overseas understood his work. I also write about poetry, and recently I published here translations of Norwegian-American poet Julius B. Baumann. Well, here's where … Continue reading Translating Sinclair Lewis into English (Two Poems)
Many months ago I tried my hand at the pantoum form, using lines pulled from "last letters," to produce a series of poems that are simultaneously haunting, anxious, and desperate. I'm proud to say that on April 20 all four were published in Chicago's Literary Orphans magazine (Issue 24: Audrey). Here's the title poem: “The sun … Continue reading My poetic sequence “The Sun is Leaving the Hill Now” in Literary Orphans
“Only the first ten years matter,” a Minnesota State Prison inmate told John Carter, and "[w]hether or not the first ten years are all that matter, there is no doubt that the first six months are by no means six little drops of time.” It was 1905 and as the 19-year-old Carter listened, he settled … Continue reading John Carter of Minnesota: The “Convict Poet” Who Won His Freedom
Recently speaking at the Iowa Freedom Summit, former Alaskan governor Sarah Palin gave a speech that, as one writer for the conservative National Review wrote, was "meandering and often bizarre." Satirist Jon Stewart had a field day with this, of course, comparing Palin's speech to those Lincoln commercials where Matthew McConaughey drives around making sounds. This criticism, though, is unfair. I mean, sure, if you're a philistine everything she said was stupid, babbling nonsense (that's because you're a philistine), but just look at how Palin's speech has been excerpted/butchered by the mainstream media (note the formatting) ...
... I'm posting here my submission, which I wrote some time in the fall of 2012 after reading Paul Gruchow's Grass Roots: The Universe of Home (Milkweed Editions, 1995). I was first introduced to his work growing up in Montevideo, MN, which is where he was from, and turned on to his environmental consciousness. If you are interested in Aldo Leopold and "The Land Ethic," you'll enjoy Gruchow's work. Sadly, Gruchow committed suicide in 2004 and so I never had a chance to meet him -- but writers are used to the feeling, I guess. We walk in prose, talk through poems.
Back in November, I wrote about two letters from Garrison Keillor and Bill Holm I found in the University of Minnesota's Robert Bly Papers. What I didn't note is that I also found one from writer Charles Bukowski. Pulling it out of the stack was a surprise -- though it shouldn't have been given Bly's stature in the literary world at the time -- and so I made a copy of it thinking Buk's may be interested. It's not as big of a literary event as the discovery of Neal Cassady's "Joan Anderson letter," but it does include an unpublished poem. ...
"This anthology is a love letter to my newest hometown, to the rural, and to the small," writes Julie Arhelger in the introduction to Turn Left at Nowhere: A Century of Morris Poetry (2014). Compiled as her capstone project for the University of Minnesota Morris' (UMM) honors program*, Turn Left is a lovely volume of pieces inspired … Continue reading Turn Left at Nowhere: A Century of Morris Poetry
My First Column: We're Living in a Russian Novel ... From where I write, Elmer Springs is a pale glow through winter fog, and as the long arms of night stretch across the road, I feel as though I could be anywhere. In fact, as my little wood stove crackles and growls against the cold, I feel like I'm living in a Russian novel. Having grown up here, I know all about Elmer Springs' generational conflict. I know its class tensions (though in a city whose per capita income is less than the state and national averages, antagonisms exist only between the have-nots and have-lesses). Instead of St. Petersburg and Moscow, we have Minneapolis and St. Paul, cities our little state representative decries for its excesses but insists having the right to visit every two years. Whether any of us are Utopians or Anarchists is as much dependent on the number of ducks in the pond as any coherent political philosophy. Perhaps there's a story here, but I have no ambition to be my generation's Tolstoy. ...