“Only the first ten years matter,” a Minnesota State Prison inmate told John Carter, and "[w]hether or not the first ten years are all that matter, there is no doubt that the first six months are by no means six little drops of time.” It was 1905 and as the 19-year-old Carter listened, he settled … Continue reading John Carter of Minnesota: The “Convict Poet” Who Won His Freedom
My review of Bill Berkson's latest book of poems, Expect Delays (Coffee House Press, 2014) was published in the Fall 2015 online edition of Rain Taxi Review of Books: There are few poets writing today with the range and talent of Bill Berkson. The author of more than thirty books of poetry, collaborations, and criticism, his latest … Continue reading My review of Bill Berkson’s “Expect Delays” in Rain Taxi Review
"[D]on't be such a damn fool as ever again to go to work for someone else. Start your own business," the 34-year-old Sinclair Lewis advised his friend Alfred Harcourt. "I'm going to write important books. You can publish them. Now let's go out to your house and start making plans" (p.xi). That business became the publishing house Harcourt, Brace, and Company, and the next year, in 1920, it published the book that made Lewis famous: Main Street. Thus began a decade-long partnership that lasted until Lewis became the first American to the win Nobel Prize in Literature. As the only volume of Lewis' letters, From Main Street to Stockholm was published in 1952, the year after he died, and collects together his correspondence with Harcourt's publishing house. Given their relationship the letters just as often pertain to business as they do Lewis' European travels and the politics of the literary world. While the reader may not close the book with a richer understanding of Lewis' psychology, they will have witnessed an iconoclast at work. Through these letters one follows Lewis through the "Big Five" and the public's response, from Main Street (1920) being declared the most monumental book of the century to Boston's District Attorney banning Elmer Gantry (1927) from the city.
Covering more than 801,000 acres, Big Bend National Park is Texas’ largest park and one of its last untouched wildernesses. On the southern part of the state’s mountain and basin region, 118 miles of the Rio Grande River forms a natural border with Mexico. Of the fourteen national parks with mountains, Big Bend is distinguished … Continue reading The Wilderness of Big Bend National Park
As part of a project I'm doing on the state of contemporary writing, author Mik Everett mailed me a copy of her book Self Published Kindling: Memoirs of a Homeless Bookstore Owner (2013). After reading it, I'm excited for what our generation has to offer the literary world. As Everett so clearly illustrates: we're one of dreamers and as we set out, so much of what we have to say will be about how we maintained this spirit while navigating the world given to us by our parents. (And if you've paid any attention to the news at all, it's not a great one). Written while living out of a broken-down RV in a Wal-Mart parking lot, Self Published Kindling is about Everett's experience running a Longmont, Colorado, bookstore that stocked exclusively self-published and regional books. Though the first store of its kind in the nation, Everett quickly discovers that few writers read and even fewer readers want books you can't find in a Barnes and Noble. She tries to mitigate this through author readings and art crawls, but everyone who comes in leaves empty-handed. Soon she and her partner, John, conclude, "Everybody's just here to pretend they support art" (48). If you're an artist who's ever tried to sell their work, you know exactly what that means.
In order to familiarize myself with the work of English poet Philip Larkin, I recently read his 1982 interview with The Paris Review (its famous "Art of Poetry" series is a resource I encourage all writers to check out). Regarded as one of England's top poets, during his lifetime Larkin shied away from his fame, working … Continue reading Philip Larkin on reading versus hearing poetry
What if the freshly-dead refused to drop as gravity intended -- and instead, simply floated away? In my latest short story, "Exodus of the Dead," I answer this question, envisioning a world where crime scenes are harder to discern without a victim and nobody fights over the airplane window seat. Written in the magical realist … Continue reading Read “Exodus of the Dead” in Popshot Magazine (UK)